Friday, December 21, 2007

More from fall 07


"Regurgitation" line etch, aquatint

This image is a commentary on the impossibility of arguing with stubborn, arrogant neocons (examples in the media: Rush Limbaugh, Sean Hannity, Bill O'Reilly...). The same talking points are always used over and over, most of which are totally irrelevant to the discussion, and if someone attempts to legitimately argue the facts, they can't get a word in edgewise because they're covered in conservative word vomit. I've yelled at my television/radio many a time listening to these "debates" in which anyone presenting a different viewpoint is ridiculed, drowned out, and cut off. It's frustrating!


"Question Everything" Monotype

...we need to...



"Distance" Charcoal pencil, India Ink

From figure drawing-not finished (and my proportions are kind of skewed), but I like the narrative of the pose.




"Infected Waterfall" Monotype




"Devil's Advocate" Graphite

The marionette is a military recruiter-this fall I became very interested in counterrecruitment after reading Army of None. This is a drawing I did for the zine a group of people from the UW-L progressives want to put together to hand out at high schools.



"Deoxyribonucleic Flowers" Monotype





"Stage Presence" line etch, aquatint, selective wiping

Here is the print that I did based on the drawing of my friend Dan in an earlier post. Again, this is a depiction of ways that people express themselves that not everyone understands, and I plan on continuing with this theme for a series. The text is one of Dan's lyrics, which I incorporated because I wanted to add a bit more of a personal touch to the image, and also because there needed to be something in that white space. In the colors, I wanted to go for the look of lights at a show and think that I achieved it fairly well. This was an interesting endeavor for me because it's the first time I've ever really done a portrait in this medium. I'd like to play around with different color schemes some more. Another big thank you to Dan for letting me use this lyric and for being a great subject =)



"Stage Presence" line etch, aquatint, multiplate monotype

This one was done with two plates-the etched one (inked in black), and a piece of plexiglass that was larger than the copper plate; just an experiment, but it worked well! I applied very oiled down ink to the plexiglass with a sponge to get the grainy effect of the color, and I filled in the frame with ink right on the paper after printing using a paintbrush and my fingers.




"What Recruitment Posters SHOULD Say" line etch, aquatint

Another piece inspired by my interest in countering military recruitment. If more people knew about all of the lies that recruiters dish out in order to coerce people into joining the military, enlistment would likely decrease. If there's not a military to fight wars, there can't be wars and people will have to work things out in a humane manner. Idealistic, I know, but you can always dream...



"War has Consequences" Line etch, multiplate monotype



This was inspired by accounts I've read about the Iraq war-so many Iraqi civilians have been killed, many of them children; and on the other side of the weapon, an extremely high number of soldiers are returning with post traumatic stress disorder. War is destructive to all life and we don't see what's really happening. We don't think of casualties as people-it's just a number on the evening news. But each of those numbers had family and friends who had to grieve a senseless death.






"The Great Remembering" line etch, aquatint, multiplate color

I've posted this one before, but this is the best print I've pulled so far of it. The text is clear and registration is spot on! One of my goals this semester was to do a successful three-plate multiplate image, and I am happy that I was able to achieve that goal.

Wednesday, December 12, 2007

Last day of the Fall 07 semester



The last day of the semester is always bittersweet. Exciting because we find out who our Secret Printmaking Friends are and get to see everyone's work, but sad because it's our last day all together as a class, and I always miss the shop before I even have all my stuff cleared out. I had a blast this semester and am glad that I got to work with such a fantastic group of ladies (and Nels, of course). Thanks to all my printmaking sisters and brother, and to Beloved Professor Joel for a kickass fall!


Secret Friends-revealed



The Erins three (Glorious, Baby, and No Name)




I really wonder what Joel's saying here




Mai Ia and No Name-secret friends forever



Hand gestures! (I love Liv's face in this one)


My favorite-this was too great a pose to not sneak a photo. Thank you, Nels!

Sunday, December 02, 2007

For online Dartmouth exhibition


"Amenaza Nacional"-line etch, aquatint, selective wiping, monotype

This print is a continuation of the Violence Against Women series I started in my first semester of printmaking. It addresses the torture of female political prisoners in Latin American countries. Women are taken captive either because they themselves are active in rebelling against the military dictatorships that are ruling their countries, or because they have some relation to men who are politically active. In this case, the men are also abducted and forced to watch their daughters/wives/sisters being abused in order to get them to reveal information. Whatever the motive behind their imprisonment, the women are subject to horrific physical violations and psychological abuse with the intent of stripping away their dignity. For example, like I have depicted in this image, women have the word "mirista" (terrorist, roughly translated) carved into their breasts or foreheads and cigarettes extinguished on various body parts. What these prisoners go through for attemtping to speak their minds is unthinkable, especially when taking into consideration that many of the militiamen who are carrying out these atrocities were likely trained by the School of the Americas/WHINSEC in the United States, where free speech and democracy are supposedly central values.

An artist that we have looked at so far this semester that I would cite as an influence for this print is Malaquias Montoya, because my content is related to his focus on Latin American sociopolitical issues.

Iron Pour Photos


This one seems to be the unanimous favorite. Gotta love it when you hit the button at the exact right second =)